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Rodelinda, regina de' Longobardi (HWV 19) is an opera seria in three acts composed for the first Royal Academy of Music by George Frideric Handel. The libretto is by Nicola Francesco Haym, based on an earlier libretto by Antonio Salvi. Rodelinda has long been regarded as one of Handel's greatest works.
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Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
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La rondine (The Swallow) is an opera in three acts by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on a libretto by Alfred Maria Willner and Heinz Reichert. It was first performed at the Grand Théâtre de Monte Carlo (or the Théâtre du Casino) in Monte Carlo on 27 March 1917.
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ngs.com/store/p1325/Puccini%3A_La_Rondine.htmlYour purchase helps to support our show!
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Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L'histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4).
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Un mari à la porte (A Husband at the Door) is an opérette in one act of 1859 with music by Jacques Offenbach. The French libretto was by Alfred Delacour (Alfred Charlemagne Lartigue) and Léon Morand.
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Schubert: Symphony No. 4 in C minor, Op. 417
Schubert: Symphony No. 5 in B Major, Op. 485
Sylvia Wagner, conductor
CMD German Opera Company of Berlin
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Le Villi (The Willis or The Fairies) is an opera-ballet in two acts (originally one) composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr. Karr's story was in turn based on the Central European legend of the Vila, also used in the ballet Giselle. The opera, in its original one-act version, was first performed at the Teatro Dal Verme, Milan, on 31 May 1884.
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The Wooden Prince, Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914–1916 (orchestrated 1916–1917) to a scenario by Béla Balázs. It was first performed at the Budapest Opera on 12 May 1917 under the conductor Egisto Tango.
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Symphony No. 56 in C major (by 1774)
Symphony No. 57 in D major (1774)
Symphony No. 58 in F major (between 1767 and 1774)
Symphony No. 59 in A major, Feuer (by 1769)
Symphony No. 60 in C major, Il distratto (by 1775, probably 1774)
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We pay tribute to La Musica's Associate Director, friend, and pianist - Derek Han.
Mozart: Piano Concerto No. 15 in B-flat Major, K. 450
Mozart: Piano Concerto No. 20 in D minor, K. 466
Mozart: Piano Concerto No. 23 in A Major, K. 488
All selections are performed by Derek Han
Those wishing to make a contribution to La Musica in Derek’s memory may do so online by visiting LaMusicFestival.org; by phone at 941-366-8450 Ext. 7; or La Musica, P.O. Box 5442, Sarasota, FL 34277.
La nonne sanglante (The Bloody Nun), is a five-act Gothic Horror opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne. Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opéra. It received 11 performances between October and November 1854.
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Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
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#CMDParisPhilharmonicinOrléans
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