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Franz Joseph Haydn (31 March 1732 – 31 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio. His contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career, he was the most celebrated composer in Europe.
He was a friend and mentor of Mozart, a tutor of Beethoven (along with Salieri), and the older brother of composer Michael Haydn.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
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Franz Joseph Haydn (31 March 1732 – 31 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio. His contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career, he was the most celebrated composer in Europe.
He was a friend and mentor of Mozart, a tutor of Beethoven (along with Salieri), and the older brother of composer Michael Haydn.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
#ClassicalMusicDiscoveries
#KeepClassicalMusicAlive
#LaMusicaFestival
#CMDGrandOperaCompanyofVenice
#CMDParisPhilharmonicinOrléans
#CMDGermanOperaCompanyofBerlin
#CMDGrandOperaCompanyofBarcelonaSpain
#ClassicalMusicLivesOn
#Uber
Support us on Patreon
https://www.patreon.com/user?u=4186107
Alexander's Feast, HWV 75 is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode Alexander's Feast, or the Power of Music (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke (whose score is now lost) set the original ode to music.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
#ClassicalMusicDiscoveries
#KeepClassicalMusicAlive
#LaMusicaFestival
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#CMDParisPhilharmonicinOrléans
#CMDGermanOperaCompanyofBerlin
#CMDGrandOperaCompanyofBarcelonaSpain
#ClassicalMusicLivesOn
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Linda di Chamounix is an operatic melodramma semiserio in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
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Handel's first Oratorio.
The Brockes Passion, or Der für die Sünde der Welt gemarterte und sterbende Jesus (English: The Story of Jesus, Suffering and Dying for the Sins of the World), is a German oratorio, libretto by Barthold Heinrich Brockes, first published in 1712 and seeing 30 or so more editions over the following 15 years.
The most famous musical setting of Brockes' text is that by George Frideric Handel (HWV 48). The text was also set by Reinhard Keiser (1712), Georg Philipp Telemann (1716), Johann Mattheson (1718), Gottfried Heinrich Stölzel (1725), Johann Friedrich Fasch (1723) and several other composers.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
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The Creation (German: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn (Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis.
The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve.
The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
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Maria Stuarda (Mary Stuart) is a tragic opera (tragedia lirica), in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play Maria Stuart.
The opera is one of a number of operas by Donizetti which deal with the Tudor period in English history, including Anna Bolena (named for Henry VIII's second wife, Anne Boleyn), Roberto Devereux (named for a putative lover of Queen Elizabeth I of England) and Il castello di Kenilworth. The lead female characters of the operas Anna Bolena, Maria Stuarda, and Roberto Devereux are often referred to as the "Three Donizetti Queens". The story is loosely based on the lives of Mary, Queen of Scots (Mary Stuart) and her cousin Queen Elizabeth I. Schiller had invented the confrontation of the two Queens, who in fact never met.
After a series of problems surrounding its presentation in Naples after the final dress rehearsal – including having to be re-written for a totally different location, a different time period, and with Buondelmonte as its new title – Maria Stuarda as we know it today premiered on 30 December 1835 at La Scala in Milan.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
#ClassicalMusicDiscoveries
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#LaMusicaFestival
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Caterina Cornaro ossia La Regina di Cipro (Caterina Cornaro or The Queen of Cyprus) is a tragedia lirica, or opera, in a prologue and two acts by Gaetano Donizetti. Giacomo Sacchèro wrote the Italian libretto after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre (1841). It is based on the life of Caterina Cornaro (1454 - 1510), Queen of Cyprus from 1474 to 1489. It premiered at the Teatro San Carlo, Naples on 12 January 1844.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
#ClassicalMusicDiscoveries
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#LaMusicaFestival
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Poliuto is a three-act tragedia lirica (or tragic opera) by Gaetano Donizetti from the Italian libretto by Salvadore Cammarano, which was based on Pierre Corneille's play Polyeucte written in 1641–42. It reflected the life of the early Christian martyr Saint Polyeuctus.
Regarded by one author as Donizetti's "most personal opera" with the music being "some of the finest Donizetti was to compose", Poliuto was written in 1838 for performances planned at the Teatro San Carlo in Naples later that year. However, close to the time for rehearsals to begin, King Ferdinand II refused to allow the martyrdom of a Christian saint to be seen on stage and forbade the production.
Angry at the decision and with a commission for the Paris Opéra due from the composer, Donizetti paid the penalty to the San Carlo for not producing an original work as a substitute, and left Naples for Paris arriving on 21 October. As his first commission for Paris, he decided to revise Poliuto and between 1839-40 a French text, with the title Les martyrs, was prepared by Eugene Scribe which conformed to the conventions of a French four-act grand opera, but which incorporated 80% of the music from Poliuto. It was presented in Paris on 10 April 1840. When eventually given in Italy, it was initially presented in a translation from the French version under the title of I martiri. It took until 30 November 1848, months after the composer's death, in order for Poliuto to finally appear for six performances at the San Carlo in its original Italian three-act version.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
#ClassicalMusicDiscoveries
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#LaMusicaFestival
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Alina, regina di Golconda (Alina, Queen of Golconda) is an opera in two acts by Gaetano Donizetti. The Italian libretto was written by Felice Romani after Michel-Jean Sedaine's French libretto for Pierre-Alexandre Monsigny's ballet-heroine Aline, Reine de Golconde (Paris Opera, 1766), in its turn based on the novel by Stanislas de Boufflers.
The opera was commissioned for the opening festivities of the Teatro Carlo Felice, Genoa, where it premiered with success on 12 May 1828. Soon after, a revised version debuted at the Teatro Valle, Rome on 10 October 1829.
Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber.
@khedgecock
#ClassicalMusicDiscoveries
#KeepClassicalMusicAlive
#LaMusicaFestival
#CMDGrandOperaCompanyofVenice
#CMDParisPhilharmonicinOrléans
#CMDGermanOperaCompanyofBerlin
#CMDGrandOperaCompanyofBarcelonaSpain
#ClassicalMusicLivesOn
#Uber
#LaunchAmerica
Support us on Patreon
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